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“Hooking" is what we call the making of wool rugs on burlap. In Cheticamp, the burlap is stretched tightly on a wooden
frame, and the hook is a simple nail with a curved tip attached to a
wooden handle. Rugs are made by pulling loops of yarn or fabric through
the burlap. The loops are pulled through the backing material by using a crochet-type hook mounted in a handle (usually wood) for leverage.
Originally,
hooked rugs served as throw rugs to cover the cold floors in winter or
to exchange with traveling salesmen for merchandise which wasn’t
available locally. The turning point of the rug industry came in 1927
when Lillian Burke, an artist from New York as well as a friend of the
Bell family of Baddeck, visited the Cheticamp area. She became
interested in these works of art which she introduced on the U.S.
market. Profit was still minimal for the rug "hookers" and because of
that, a few women began operating their own boutiques. The
name "Élizabeth LeFort" is another important name which immediately
comes to mind when one speaks about rug hooking in Cheticamp. Like most
others, Mrs. LeFort started her career by hooking sceneries but the
turning point came when her talent for hooking portraits was
discovered. Referred to as "Canada's artist in Wool", Mrs. LeFort was
awarded an Honorary Doctorate Degree from the Université de Moncton, as
well as the Order of Canada in 1987. Her works may be admired at
various places throughout the world such as at the Vatican, Buckingham
Palace, the White House and at the Museum of Civilization in Ottawa.
You can feast your eyes on many of her tapestries while visiting the
gallery which bears her name, at the Trois Pignons, in Chéticamp.
In
January 1998, a group of rug hookers from Chéticamp, under the skilled
direction of Marie-Claire Doucet, undertook the task of hooking a large
rug (15ft x10ft) destined for the Canadian Room at Rideau Hall,
residence of the Governor General of Canada in Ottawa. The finished
product of this venture is, like many before, a real masterpiece.
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